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    WSR Detailed DVD Review
    Can
    Genre: Comedy

    Reviewed In Issue 61 (June 2002) Of Widescreen Review®

    Stars:
    Village People, Valerie Perrine, Bruce Jenner, Steve Guttenberg, Paul Sand, Tammy Grimes, June Havoc, Barbara Rush, Altovise Davis, Marilyn Sokol, The Ritchie Family & Leigh Taylor-Young

    WSR Review Scores
    WSR Picture Rating: 3
    DD Sound Rating: 3.5
    DTS Sound Rating: 4
    Download WSR Review
    Reference Systems
    Critics' Composite Score: 4
    Internet Links
    http://www.anchorbayentertainment.com
    Special Features
    This camp classic musical-comedy Includes The Village People Story photo essay, Villiage People biographies, and a trailer.


     DVD General Information

    (Studio/Distributor): Anchor Bay Entertainment
    (Catalog Number): DV11561
    (MPAA Rating): PG
    (Rating Reason):
    (Retail Price): $19.98
    (DVD Type): Single Side, Dual Layer (DVD9)
    (Widescreen Edition): Yes
    (Full Screen Edition): No
    (Anamorphic Widescreen): Yes
    (Running Time In Minutes): 123
    (Color Type): Color
    (Chaptered/Scene Access): Yes
    (Closed Captioned): Yes
    (Regional Coding): 1
    (Theatrical Year): 1980
    (Theatrical Release): Yes
    (Direct-To-Video Release): No
    (DVD Release Date): 04/16/02
    (THX® Digitally Mastered): No

     Credits Information

    (Director): Nancy Walker
    (Screenplay/Written By): Subscribe Now!
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    (Supervising Sound Editors): Subscribe Now!
    (Re-Recording Mixers): Subscribe Now!
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      DVD Picture Information

    (Principal Photography): Subscribe Now!
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    (Measured DVD Letterbox Aspect Ratio): Subscribe Now!

      DVD Sound Information

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      WSR Narrative Review
    Story Synopsis:
    To think that this little number almost stopped the disco movement (gasp)! After watching it, you

    DVD Picture:
    The anamorphically enhanced 2.35:1 DVD (available for the first time in widescreen) exhibits vibrant colors that compliment the

    Soundtrack:
    The remastered soundtracks with back surround encoding both feature spatially lively music segments as their primary assets. In this respect, the entire soundstage is aggressively engaged, including the back surround channel, also with an abundant low-end presence aided by prominent .1 LFE activity. Otherwise, the audio exhibits the original recording

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