Based on the book What Just Happened? Bitter Hollywood Tales From The Front Line by veteran Hollywood Producer Art Linson, this film version of What Just Happened follows Ben (De Niro), a producer, desperately trying to save his two films from falling apart while managing the chaos of two marriages that already have. Ben is challenged, to say the least, to survive a treacherous world of backstabbing, greed, and runaway egos—Hollywood. (Gary Reber)
Special features include audio commentary with Director/Producer Barry Levinson and Writer/ Producer Art Linson, three deleted scenes (HD 07:07), behind the scenes (SD 02:47), 12 casting sessions (SD 26:58), the featurette Making Of What Just Happened: From Book To Script To Screen (HD 23:47), and up-front previews.
The 2.40:1 1080p AVC picture quality is terrific. The presentation is pristine, with no noticeable noise or other artifacts that distract. The color palette is perfectly natural throughout, with excellent contrast and deep, solid blacks and rich saturated hues. Shadow delineation is also excellent overall, though, at times, a dimly lit editing room and club scenes exhibit crushed blacks and murky shadow details. Fleshtones are perfectly natural. Resolution is generally good, especially in close-up shots, which reveal fine facial expressions and textures. Overall, the picture exhibits a warm, natural color palette that is pleasing to view. (Gary Reber)
While the soundtrack production is conventional, the recording quality delivered by the lossless DTS-HD Master Audio™ 5.1-channel encoding is superb, especially with respect to the music score. At times the music sounds suspended around the room in a wonderful holosonic® surround envelopment. The soundstage is deep and wide, with excellent phantom imaging all around. Dialogue is virtually all-production sound or ADR-recorded and completely center-channel focused, except for the ceremonial scene, which achieves excellent spatial integration. Still, the dialogue mostly sounds generally well integrated and is always perfectly intelligible. Low-level resolution is good as well, but there is limited LFE .1 bass support. When the LFE channel does kick in, the bass is deep and powerful, extending to below 25 Hz. The music score recording is the distinguishing quality that, at times, is very impressive in fidelity and surround envelopment. (Gary Reber)