Featured In Issue 234, December 2018

WSR Score3.5
Basic Information on new release titles is posted as soon as titles are announced. Once reviewed, additional data is added to the database.
Sony Pictures Home Entertainment
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Strong language, bloody images, and language
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Single Side, Dual Layer (BD-50)
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Aneesh Chaganty
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DTS HD Lossless 5.1
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"Searching" is an enthralling missing person thriller. After David Kim (Cho)'s 16-year-old daughter goes missing, a local investigation is opened and a detective is assigned the case. But 37 hours later and without a single lead, David decides to search the one place no one has looked yet, where all secrets are kept today: his daughter's laptop. David must trace his daughter's digital footprints before she disappears forever. (Gary Reber)

Special features include commentary with Writer/Director Aneesh Chaganty and Writer/Producer Sev Ohanian, the featurettes "Changing The Language Of Cinema" (HD 11:25) and "Update Username: Cast And Characters" (HD 07:34), upfront previews, and a Movies Anywhere digital copy code.

The 1080p AVC picture, reviewed on a Sony Bravia Z9D 4K Ultra HD HDR display, upconverted to 2160p with greater resolution and luminance, was photographed digitally and sourced from a 2K master Digital Intermediate format. Virtually the entire movie unravels on a computer screen, with searches on various social media sites and using Face Time, so resolution is limited to the screen resolution. The movie is extremely bright with a lot of white highlights surrounding text and videos. Color fidelity is rather raw and limited to computer cameras capturing the action. Screen contrast is good, especially with the black cursor against white screens. This is an unusual and innovative image-capture movie that is visually captivating. (Gary Reber)

The DTS-HD Master Audio™ 5.1-channel soundtrack is entirely dialogue focused with music that provides the bulk of the soundtrack. Otherwise it is Breaking News live broadcasts and computer fidelity relating to videos. Computer typing strokes are prevalent. Other than those sonics, button sounds, beeps and telephone rings are also heard. The music score is mostly electronic with good fidelity and extended deep bass. Overall, the soundtrack perfectly suits the storytelling but is limited in terms of dynamic and enveloping sonics. (Gary Reber)