BLU-RAY REVIEW

Mario Puzo's The Godfather, Coda: The Death Of Michael Corleone

Featured In Issue 253, January/February 2021

Picture4.5
Sound4.5
WSR Score5
Basic Information on new release titles is posted as soon as titles are announced. Once reviewed, additional data is added to the database.
(Studio/Distributor):
Paramount Home Entertainment
(Catalog Number):
2133516
(MPAA Rating):
R
(Rating Reason):
Violence and language
(Retail Price):
$22.98
(Disc Type):
Single Side, Dual Layer (BD-50)
(Widescreen Edition):
Yes
(Full Screen Edition):
(Running Time In Minutes):
157
(Color Type):
Color
(Chaptered/Scene Access):
Yes
(Closed Captioned):
Yes
(Regional Coding):
A
(Theatrical Year):
(Theatrical Release):
(Direct-To-Video Release):
No
(Disc Release Date):
12/8/2020
(THX® Digitally Mastered):
(Director):
Francis Ford Coppola
(Screenplay/Written By):
(Story):
(Music):
(Director Of Photography):
(Production Designer):
(Visual Effects):
(Costume Designer):
(Editor):
(Supervising Sound Editors):
(Re-Recording Mixers):
(Executive Producers):
(Co-Producers):
(Producers):
(Academy Awards):
(Principal Photography):
(Theatrical Aspect Ratio):
(Measured Disc Aspect Ratio):
(Disc Soundtrack):
Dolby TrueHD 5.1
(Theatrical Sound):
(Theatrical Re-Issue Soundtrack):
(DTS Bit Rate):
(Dolby Digital Bit Rate):
(Additional Languages):
(French Language):
(Spanish Language):
(Subtitles):
(German Language):

This is Director/Screenwriter Francis Ford Coppola's newly restored, brand-new edited version of "The Godfather Part III," which was originally nominated for seven Academy Awards«, entitled "Mario Puzo's The Godfather, Coda: The Death Of Michael Corleone." This closes the trilogy with additional footage and Al Pacino reprising his role as Michael Corleone, older, wiser and trying to redeem his family by moving them out of crime and into legitimate businesses. But the Corleone clan, with decades of mob violence bred into them, seek a successor to their empire. Twenty-five years after Part II, the Corleone familyŚwith all its seductive past of power, tradition, revenge, and loveŚlives on. Coppola states: "For this version of the finale, I created a new beginning and ending, and rearranged some scenes, shots and music cue." (Gary Reber)

Special features include an exclusive introduction by Francis Ford Coppola and a Movies Anywhere digital code.

The 1.85:1 1080p AVC picture, reviewed on a Sony Bravia Z9D 4K Ultra HD HDR display, upconverted to 2160p with greater resolution and luminance, was photographed on Eastman 35 mm film stock using the Arriflex 35 IIC and Mitchell BNCR camera systems and sourced from a 4K master Digital Intermediate format. Zoetrope and Paramount's restoration team began the restoration by searching for over 50 original takes to replace lower-resolution opticals in the original negative. This process took more than six months and involved sifting through 300 cartons of negative. American Zoetrope worked diligently to repair scratches, stains, and other anomalies that could not be addressed previously due to technology constraints.

Mario Puzo's "The Godfather, Coda: The Death of Michael Corleone" makes its Blu-ray debut with an extraordinary 1080p transfer presented in the 1.85:1 aspect ratio. The picture is gorgeously filmic, retaining a natural grain structure, which is ever-present. Color fidelity is superb with realistic saturation. Browns and greens dominate the color scheme and deep warm reds are nicely rendered. Fleshtones are rendered natural in appearance. Contrast is enhanced with much better balance, exhibiting deep black levels and shadow detail. The increase in overall resolution and sharpness makes for a much more realistic experience. Facial features, clothing, and object texture exhibit exceptional clarity and detail. Thus far, this is the definitive rendering in this cinematic classic. (Gary Reber)

The Dolby TrueHD 5.1-channel soundtrack presentation leans heavily towards the front three screen channels, with the surrounds used infrequently. When they are used, however, the surround channels can create a believably dimensional soundstage. Fidelity is generally good, although the audio does sound veiled at times. Phantom imaging is adequate across the front stage but is limited elsewhere in the room. Dynamic range is slightly constrained, but there is an acceptable sense of depth in the front stage. The .1 LFE channel is used fairly frequently with impactful bass. Atmospherics are realistic and sound effects are effective. Carmine Coppola's score is hauntingly beautiful. Dialogue is nicely integrated spatially throughout. This is a solid sonic experience that nicely complements the storytelling. (Gary Reber)