World War Z follows a former United Nations investigator (Pitt) as he helps stop the chaotic pandemic that has gripped populations around the world. Based on the novel by Max Brooks. (Gary Reber)
Both the theatrical 2D and 3D versions (01:56:01) and the unrated extended version in 2D (02:03:03) are available. Special features include two featurettes: Origins (HD 08:21) and Looking To Science (HD 07:28); a WWZ: Production featurette—in the chapters Outbreak (HD 08:31), The Journey Begins (HD 08:39), Behind The Wall (HD 09:41), and Camouflage (HD 09:25); and an UltraViolet digital copy.
The 2.40:1 1080p MVC 3D picture was converted by Cinesite Ltd. and Prime Focus World. While the image quality is decent, the expectation for far better is a disappointment. The overall impression is "pasty." There is a general lack of vibrancy throughout. Generally the imagery is sharp but not consistent. Interior shots appear fluorescent. The color palette is generally natural in hue and is generally satisfying, though, often underwhelming in the filtered haze. Fleshtones appear varied according to the lighting treatment. Contrast is balanced overall, with segments that exhibit deep blacks and revealing shadow delineation. The 3D conversion is effective and exhibits satisfying and convincing depth and perspective. The 3D element does enhance the sense of realism, but there are no real distinguished attributes. (Gary Reber)
The DTS-HD Master Audio™ 7.1-channel soundtrack is reserved in the use of the added two channels, in this case positioned as back channels. Their energy is for the most part softly nuanced. Surround immersion is directed to the side channels and provides effective support, especially during the more intense action scenes, reenforced with strong .1 LFE bass energy, during which the soundstage is holosonic® in character. Atmospherics and sound effects are both nuanced and authoritative. The orchestral score is nicely recorded with a wide and deep soundstage presence that extends to the surrounds. Dialogue is effectively integrated spatially. Overall, this is a terrific sonic experience that effectively supports the storytelling with both nuanced and aggressive surround envelopment. (Gary Reber)