Blu-ray Review

House Of Wax 3D

Featured in Issue 180, October 2013

3D Picture
4
Picture
3.5
Sound
3
WSR Score
4
Disc Information
Studio Warner Home Video
Catalog Number 3000052843
MPAA Rating Not Rated
Retail Price $35.99
Disc Type Single Side, Dual Layer (BD-50)
Running Time 88 min
Color Color
Chapters Yes
Closed Captioned Yes
Regional Coding Not Indicated
Release Date 10/01/13
Theatrical Year 1953
Credits
Director André de Toth
Screenplay Subscribers only
Story Subscribers only
Music Subscribers only
Cinematography Subscribers only
Production Design Subscribers only
Costume Design Subscribers only
Editor Subscribers only
Sound Editor Subscribers only
Re-Recording Mixer Subscribers only
Executive Producer Subscribers only
Producer Subscribers only
Audio & Video
Aspect Ratio Subscribers only
Measured Ratio Subscribers only
Photography Subscribers only
Disc Soundtrack Dolby Digital+ 1.0, DTS HD Lossless 2.0
Theatrical Sound Subscribers only
Subtitles Subscribers only

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This release celebrates the 60th anniversary of House Of Wax. In 1953, the film was the first color 3D feature released by a major studio. The huge hit also marked Vincent Price's first major starring horror role and changed the course of his career. Originally designed to lure audiences away from their TV sets, 3D utilized a "left-eye/right-eye" dual-projection process and polarized glasses. The movie was a major box-office success when it was released in 1953. If adjusted to today's gross, it would have brought in more than $401 million, placing it among the top 100 highest grossing films ever. It no doubt paved the way for a 3D boom over the next several years during which fifty 3D features and some two dozen shorts and cartoons were released. In House Of Wax, Professor Henry Jarrod is the owner and figure sculptor in a wax museum, whose specialty is historic figures. When he and his business Partner, Matthew Burke quarrel over the choice of exhibits displayed, Burke suggests it would be more profitable to burn down the museum in order to obtain the insurance money. As they fight, the museum burns and Jarrod is left for dead. It's not until much later at a new museum that the fate of Jarrod and the mystery of how the lifelike waxed figures are created becomes gruesomely evident. (Gary Reber)

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