BLU-RAY REVIEW

Chris Botti Live With Orchestra And Special Guests

Featured In Issue 122, July/August 2007

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Basic Information on new release titles is posted as soon as titles are announced. Once reviewed, additional data is added to the database.
(Studio/Distributor):
Sony Music
(Catalog Number):
708147
(MPAA Rating):
Not Rated
(Rating Reason):
(Retail Price):
$21.98
(Disc Type):
Single Side, Dual Layer (BD-50)
(Widescreen Edition):
Yes
(Full Screen Edition):
No
(Running Time In Minutes):
89
(Color Type):
Color
(Chaptered/Scene Access):
Yes
(Closed Captioned):
Yes
(Regional Coding):
Not Indicated
(Theatrical Year):
2006
(Theatrical Release):
No
(Direct-To-Video Release):
Yes
(Disc Release Date):
05/29/07
(THX® Digitally Mastered):
No
(Director):
Jim Gable
(Screenplay/Written By):
(Story):
(Music):
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(Producers):
(Academy Awards):
(Principal Photography):
(Theatrical Aspect Ratio):
(Measured Disc Aspect Ratio):
(Disc Soundtrack):
(Theatrical Sound):
(Theatrical Re-Issue Soundtrack):
(DTS Bit Rate):
(Dolby Digital Bit Rate):
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(French Language):
(Spanish Language):
(Chinese Language):
(Subtitles):
(Cantonese Language):
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Appearing at the Wilshire Theatre in Beverly Hills, California, Chris Botti performs Live With a full Orchestra, his band, And many Special Guests. It was obvious from the minute he stepped onstage that the sold-out crowd was in for a special treat, and now, with the concert available in Blu-ray Disc, so are you. (Tricia Spears)

Special features include a 30-minute Behind The Scenes: Chris Botti Live featurette; a 10-minute featurette on The Musicians; a 19-minute interview with Botti; and the "Message In A Bottle" performance featuring Sting, with an optional Botti and Sting introduction.

The Blu-ray Disc shows well-resolved details throughout the presentation on close shots, but longer shots can look too digital, as some shimmering and stair-stepping on edges can also be recognized. Blacks aren't as deep as in the best releases. Flesh can occasionally look pasty and plugged up. (Danny Richelieu)

The 96 kHz, 24-bit linear PCM soundtrack provides fantastic dynamic range and the mix is done well, giving instruments distinct positioning in the room. The upper end of the frequency spectrum is a little dry, making cymbals sound tinny. (Danny Richelieu)