Nemesis
Genre: Science Fiction
Reviewed in Issue 04 of Widescreen Review
Stars: Oivier Gruner, Tim Thomerson, Cary-Hhiroyuki Tagawa, Deborah Shelton.
| Studio/Distributor | Image Entertainment |
| Catalog Number | ID2436IP |
| MPAA Rating | R |
| Retail Price | $39.99 |
| Running Time | 95 |
| Color Type | Color |
| Chaptered/Scene Access | Yes |
| Closed Captioned | No |
| Theatrical Release | 1992 |
| LD Release Date | 07/01/93 |
| THX Digitally Mastered | No |
| Director | Albert Pyun |
| Screenplay/Written By | Subscribers only |
| Story | Subscribers only |
| Music | Subscribers only |
| Production Designer | Subscribers only |
| Editor | Subscribers only |
| Executive Producers | Subscribers only |
| Co-Producers | Subscribers only |
| Producers | Subscribers only |
| Stars | Oivier Gruner, Tim Thomerson, Cary-Hhiroyuki Tagawa, Deborah Shelton. |
| Principal Photography | Subscribers only |
| Theatrical Aspect Ratio | Subscribers only |
| Measured LD Aspect Ratio | Subscribers only |
| Soundtrack | Dolby Surround |
| Theatrical Sound | Subscribers only |
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Subscribe FreeThe release includes a “Making Of Nemesis” supplement.
Director Albert Pyun’s Nemesis carries a lot of RAM punch in this action-packed sci-fi thriller where information is the ultimate power. The story is set in 2027 Los Angeles. Japan and America have merged— politically and economically. Man and machine have merged as well. The scientific community has perfected cybergenics to the degree that any body part can be replaced. The machines want to control human impulses. One reconstructed man-machine (Oliver Gruner) is out for retributive justice against the machines. Systems cowboys, information terrorists, bio-enhanced gangsters and cyborg outlaws do battle in this graphically violent man vs. machine futurist tale.
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