Final Approach
Genre: Science Fiction
Reviewed in Issue 01 of Widescreen Review
Stars: James B. Sikking, Hector Elizondo, Madolyn Smith & Kevin McCarthy
Disc Information
| Studio/Distributor | VID |
| Catalog Number | LDCVM5561WS |
| MPAA Rating | R |
| Retail Price | $34.95 |
| Running Time | 100 |
| Color Type | Color |
| Chaptered/Scene Access | No |
| Closed Captioned | Yes |
| Theatrical Release | 1991 |
| LD Release Date | 07/92 |
| THX Digitally Mastered | No |
Credits
| Director | Eric Steven Stahl |
| Screenplay/Written By | Subscribers only |
| Story | Subscribers only |
| Music | Subscribers only |
| Production Designer | Subscribers only |
| Editor | Subscribers only |
| Executive Producers | Subscribers only |
| Co-Producers | Subscribers only |
| Producers | Subscribers only |
| Stars | James B. Sikking, Hector Elizondo, Madolyn Smith & Kevin McCarthy |
Picture Information
| Theatrical Aspect Ratio | Subscribers only |
| Measured LD Aspect Ratio | Subscribers only |
Sound Information
| Soundtrack | Dolby Surround |
| Theatrical Sound | Subscribers only |
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Subscribe FreeStory Synopsis
This is the world’s first all-digital motion picture. It was recorded, mixed and mastered in the digital domain and released in the now-defunct Cinema Digital Sound process. Although it’s a sonic masterpiece, the story leaves something to be desired: Sikking plays an Air Force stealth pilot who ejects from his jet only to awaken under the control of a probing psychiatrist (Elizondo) in re-hashed “Twilight Zone” trappings. Still, its an aural must for collectors.
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