Genre: Documentary
Reviewed in Issue 15 of Widescreen Review
Stars: Orson Welles.
| Studio/Distributor | Criterion Collection |
| Catalog Number | CC1412L-260 |
| MPAA Rating | Not Rated |
| Retail Price | $$49.95 |
| Running Time | 85 |
| Color Type | Color |
| Chaptered/Scene Access | Yes |
| Closed Captioned | No |
| Theatrical Release | 1975 |
| LD Release Date | 7/1/95 |
| THX Digitally Mastered | No |
| Director | Orson Welles & François Reichenbach |
| Screenplay/Written By | Subscribers only |
| Story | Subscribers only |
| Music | Subscribers only |
| Editor | Subscribers only |
| Executive Producers | Subscribers only |
| Co-Producers | Subscribers only |
| Producers | Subscribers only |
| Stars | Orson Welles. |
| Principal Photography | Subscribers only |
| Theatrical Aspect Ratio | Subscribers only |
| Measured LD Aspect Ratio | Subscribers only |
| Soundtrack | Mono Sound |
| Theatrical Sound | Subscribers only |
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Subscribe FreeF For Fake is a most unusual film with Wells as director, screenwriter and acting host as he takes the viewer into the world of duplicity and trickery. Profiled in this unique pseudo-documentary are two of the most notorious “practioners” in the art of fakery: art forger Elmyr de Hory and biographer Clifford Irving, who mastermind an unsavory literary hoaz through a purported biography of How-ard Hughes. Wells also gives us a passing allusion to his War Of The Wars radio hoax that terrified America, one of the first of his essay documentaries and presents a story about Citizen Kane. Wells spent reportedly a year in Paris editing this film, which shows as much as a work of spontaneous improvisation as a thought-out project. Wells originally thought that the film’s title would be Hoax and that the film was “not a documentary,” but “a new kind of film.”
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